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  • 2.26 Love out on its own: the trials, tribulations and magic of Hampstead Heath

    Part 2

    That ‘c’ word: Cruising. I’ve hesitated to bring this up before, as it has so many cliches attached to it and so many opinions. For some, it’s entirely natural thing to do (both with same sex and mixed sex partners, (though it’s more usually called the delightfully downmarket term ‘dogging’ when heterosexuals are having sex en masse al fresco). For many, even quite a lot of gay men, it’s an activity that they cannot possibly fathom how anyone would or could consider doing. There are some similarities to the feelings people have on cottaging. On Switchboard we were not allowed to give out cruising locations, this having more to do with the legal implications of outdoor sexual activity rather than some (but certainly not all) members distaste for it. As I’ve mentioned it did come up as a subject in conversations on the phonelines there. If pushed on the subject, I usually did not pretend ‘it didn’t happen’ but mentioned the reasons why people needed to be careful if engaging in such activity. And certainly in some places it was a dangerous or risky thing to do, for a variety of reasons.  

    The Mens Pond, Hampstead Heath

    For myself? Well for years, decades even I didn’t venture onto the Heath to cruise (or anywhere else come to that, the location I mentioned earlier after Traffic spilled out on the Caledonian Rd was about the first time I’d ventured into that world), indeed for many years I didn’t know even where to go, as I would venture up there to the Heath for a simple walk and see nothing remotely salacious going on. Then one day I realised the Heath has many different areas and different ‘sides’ to it as well, it is used for very many purposes by different groups of people. It started by recognising that many gay men went swimming in the mens’ bathing pond on the East Heath. In summer, on a good day, the paddock outside would be nose to tail with men on their own, in couples or groups having picnics, sunbathing, generally taking the air. It was all pretty obvious. For some time having found that I assumed that was it, what I’d heard all about. Oh, I was so very, very wrong.

    One day I realised, looking more carefully at the London A-Z map, that there was a whole area I had never even visited, in the decade I’d been going up to the Health, simply for  recreation. In fact, for a time there were two separate areas that were cruised by men on the Heath, one on the east side, close to a large house and overgrown tennis courts off the main road, which was often quite busy in an afternoon and early evening. But when the house was renovated and restored and a lot of the undergrowth and overgrown vegetation chopped back, around the mid nineties, this mostly ceased.  This was sometimes known as the ‘second secret garden’ (for reasons I’ll now divulge).

    There was another area completely, on the west side of Hampstead Heath, consisting of an overgrown old hospital with a large pergola, ornamental pools and other ornamentation. This area was also very popular at one stage but again it was renovated by the council in the late 90’s, who actually made a very good job of it. It’s really worth a trip up to the Heath to see it alone.. it’s called the ‘Hill Garden’ and is basically a raised walkway, with many mature vines and roses, set amidst some wonderfully dramatic gardens and ponds.

    Hill House Garden, Hampstead Heath, The Pergola

    I discovered, upon browsing a little, that it actually has quite a history attached to it. In 1904  Lord Leverhulme, who was both a rather wealthy philanthropist and a great lover of landscape gardening, purchased a large house built in 1895, on the West Heath called ‘The Hill’. He bought further land attached to it in the following few years and landscaped it with the pergola; extending it further in 1911 and 1925. He held extravagant Edwardian garden parties with friends, able to spend long summer evenings there in what became quite spectacular gardens. However, it fell into a decline with no one to care for it after his death in 1925. It was then bought and renamed Inverforth House by Andrew Weir, alias Baron Inverforth and then on his death it became a Orthopaedic Society Hospital from 1956 but little was done after this, to maintain the pergola area, although the gardens in the front and back of the house facade were maintained. It became overgrown and disused, and the hospital itself closed in the mid eighties.

    Hill House Garden , Hampstead Heath, below the pergola

    For many years it was possible to access the pergola walkway (and house grounds) from the part of Hampstead West Heath below it, however, and it became known by many as ‘the Secret Garden’ until the House was converted into luxury apartments in the mid 1990’s and the pergola area was bought by the City of London Corporation and (it must be said very beautifully) restored, for all to use, in the mid 1990’s. The house was grade II listed in 1988. For all intents and purposes, this was a very popular part of the ‘cruising ground’ at Hampstead for many years as a result, in the 70’s, 80’s and 90’s in particular. Not surprisingly, the Wikipedia entry online about the house and gardens makes absolutely no mention of its notoriety for this purpose.

    It’s not something I’d done for years, after I finally moved away from London early in 2003, but looking online recently I was surprised to see quite a lot of information about cruising there. There was even a map showing various areas and activities. Well, we certainly didn’t have THAT in my day! One entry was factual and direct. Hampstead Heath, it said.

    Hampstead Heath is one of the busiest and most popular cruising areas in London, if not the world. It is also the safest cruising ground of London. The Police knows what goes on and (sic) is happy to close their eyes as long as cruisers don’t annoy the locals too much. The locals also know it and don’t venture on there after dark. The cruising area is located just up the hill from Hampstead Tube Station, which is part of the Northern Line. The Main entrance onto the Gay West Heath is from behind the ‘Jack Straws Castle’.

    I am not sure if it is all quite as laissez faire as the entry makes out but I guess it’s broadly accurate. Another article I  found online though, on the Vice UK website by James Greig, from June 2019 was very much more thoughtful, indeed, provocative. Why do people still go Cruising ‘it was headed. The byliner said ‘As cruising spots in London are under threat and apps have made casual hook-ups more convenient, what role does going outside in search of sex play in queer lives today?

    So he had decided to go to the Heath and talk with men cruising up there about what they wanted and hoped to find, indeed why they still did it in the age of ‘Grindr’ et al (the gay dating app).

    Men he met there explained that they found the adrenaline rush better when cruising outside and likened using apps like Grindr to ‘ordering a pizza’. You usually knew what flavours you liked and looked to order the same again. Outside, there was the possibility of experimenting with ‘different flavours’ and being surprised by your expanded boundaries (my analogy, not theirs). He wrote a thought provoking article about their honest responses and finished with this:

    Cruising isn’t just a response to repression that will disappear if or when that repression does (as I discovered, you’d have to go back pretty far in history for cruising to considered a “necessity”). It offers a fundamentally different sexual experience, which many still find appealing. As George Michael told us 21 years ago, there’s no shame in being done with the sofa, the hall and kitchen table, and going outside in search of sex. In fact, it’s something we should celebrate.

    This was interesting for me, as it rang true to experiences that I’d had there, decades before. Once I had started exploring this sub culture a little more I realised that it wasn’t seedy in a way I’d expected at all, in fact there were many occasions when it was quite a beautiful experience.

    Whilst the place did have its unwritten rules, codes and conduct, that the men there generally understood, as on the canal towpath I had stumbled upon some years earlier, to go there was to experience an entirely transgressive culture: the signs, signals and senses displayed were completely different to those in the ‘other world’. Sometimes, going there was more akin to stepping through the looking glass, into another parallel world. Light and shade became important, thickets and glades had different uses, noises, sounds suddenly became charged, imbued with meaning. Language was less important, gestures held meaning,  the male gaze was imbued with many different perceptions of desire; there were couples, groups, observers, voyeurs, individuals. Of course there were people who just wanted to get there, get off and go.  All of the complexity of human desire was up there though, on display. Some would chat first , some would chat after, some wanted to meet up again, some wanted to have a relationship. In fact, a number of the most intense relationships I’ve ever had in my life started up there, on the Heath.       

    The state of mind you went up there with also changed the experience. Feel too needy, look too desperate and people would back away. Feel calm, content, happy and people would want to share some of that with you.

    Daytime sex and night time sex there were often quite different experiences. In the light you could make eye contact from a distance, sense what was wanted, what was on offer, clues were given and instincts followed. Night time sex up there was a different matter.  Often it was so dark you couldn’t see more than a few feet in front of you. Really you had no idea who you were walking into. But there were things; sounds: lightly trodden sticks or heavily trodden, heavy breathing or soft, smells: cigarette smoke, a lighter, after shave, sweat? Speed too .. standing silent, moving quickly ? Height.. taller or shorter? Just one person or a couple, or even a crowd? I used to find that dusk was a perfect time, an interim period where you often utilised both daytime & night time senses. Night time was generally more difficult though, sometimes you just had to trust your instincts.

    One fairly clear, warm, summer, moonlit night in late June I recall vividly still, decades later. Moonlight was always useful, as it offered up a version of those daytime clues. This was a particularly bright moon too, enabling, when your eyes were completely accustomed, a depth of field far greater than on most nights. But there was still some cloud about, so every so often it would darken. It had been a gloriously hot day and the ground was still warm. The brick walls of the Hill Garden were still radiating back some heat from the days’ strong sun, as was the earth, even the bark on the trees.  It was still and quiet though, just some birds rustling in their nests, an owl hooting, maybe a vole or field mouse going about its business. You came down a hill from the main road by the pond at Jack Straws Castle, up from Hampstead Village, (a famous pub) then there was a well worn, probably old cart track, you could walk along, paths leading off it, trees overhanging it on either side.

    As I came down the hill and forked right on the worn track, the moon went behind a thicker cloud and it suddenly went dark. I had started to walk along the track, reflecting that I could have been blindfolded but still know where to go, ahead I could see little but a few cigarettes being drawn on. Suddenly the full moon came out again and it seemed to grow very bright. I started, almost gasped, astonished for I could see the path ahead was lined with men standing there, watching, waiting. As I walked through them on the track I realised that there must be hundreds of men down here: all quiet, still. The thought went through my head that there must be more men up here on the Heath tonight than at ‘Heaven’, the big megadisco in London’s centre at Charing Cross. 

    Truly, a Midsummer Night’s Dream

    I could see there were many moonlit silhouettes: figures in all forms of dress, some of partial undress. The scene had an absolute beauty to it, which was many things: erotic, charged with sexual tension, and something primeval about it, even faintly dangerous, yet sublimely reassuring at the same time. All these strangers experiencing, sharing this intimate moment together, in the middle of the cosmopolitan metropolis of London. It was midnight, I was surrounded by strangers and yet I had never felt more intimacy with, never felt more .. well, love is the only word I can come up with that does it justice, for my fellow man. It was very, very special. And we all knew it was special: no one wanted to talk and break the spell. Truly, it was a midsummer night’s dream.  

    And if it offered up so many possibilities? And how could it be wrong, when it had offered up an experience like Mike?  Mike: who broke my heart, and then stitched it back together again. 


    Buster

    Stand on the shore for me, back arched, still tall

    Kiss me, shake sand in my face: you never tire!

    Hold me back down, ’till I choke with desire

    Wear me forever, until you tire of this life.

    You don’t know it but this is the most erotic moment.

    You can’t be sure now, yet this is the strongest you will ever feel.

    You’ll never understand: this is the perfect deal.

    A deal I’ll remember forever, till I tire of my life.

    You lay down and died for me: gave chase to my sticks

    Rolled over and cried for me, closed those bright eyes

    Ran away and flew with me: what we had needed no lies

    Now: walk away into the sun with me, until we tire of this life!

    I didn’t expect it to go all the way,

    I couldn’t recall this had ever happened before,

    I shouldn’t be feeling the way I do, wanting more.

    Remembering us forever: till the end of this life.

    Sit up and beg for me: look at me, hard,

    Run away and away from me, until you’re small as fly

    Now closer and close to me: so close that I’ll cry

    Hug me and hold me: let’s live life this way.

    We diced with love, gave in to its charms

    We both knew the questions but the answers were wrong

    We played around hard but we played for too long

    I posted you letters. But you didn’t respond.

    Wiseman, 19 March


    So yes, I understand if you find the whole idea of such cruising strange, even a tad repugnant. But it was one of those things I just fell in love with. And they are the best, still in my mind taking me to a world away from the here and now, providing a memory within me so deep, so rich, so vivid, that I can close my eyes and still go back there now. And so I do- and then I sigh a little for things past, and feel a little sad, before remembering I need to be thanking someone for allowing me to be there at all, to experience such magical nights. And remember that some of us didn’t get to have that luxury.


    2.27 ”Sex Love and Life” the project

    Sex Love and Life, index

  • On telling the truth part 3

    So in this, the third part of what has seemingly become an extended essay, though by default as opposed to design, I suppose some will ask why try to articulate these thoughts at all? On some reflection I suppose because it is part of a personal quest to discover, to find, to articulate some universal truths about the nature of this thing. Whilst much has been written on the subject, (an understatement if ever there was one) it still seems to me it is difficult to really pin down if these are universal beliefs or personal to each of us. And of course it all has to be chemical in the end doesnt it? We all have a similar mess of different chemicals being continuously pumped around our individual bodies, although, to an extent, in differing amounts.

    And yet, for me at least, there remain unanswered questions about the nature of the soul, if indeed it exists at all, whether we all have the same capacity to love and be loved from birth or whether it changes as we grow, and what exactly the spark that ignites us is guided by, chemical, spiritual, innate, pre determined? I suppose one plausible answer might be that it occurs when the greatest number of our senses are motivated (and in the other person too if it is to be mutual). And if one is blocked does that negate the event. Of course this is one question that is answered relatively easily, for we know that people with very impaired senses (with no sight, with no hearing) can still very much fall, although it seems often this can be because their other senses become more developed.

    Then there is the idea that when we are feeling particularly vulnerable, we are more attuned to the effects of these chemicals, or that the mix does certain things to our body in its chemically altered state. And then there are periods in our lives when consciously or unconsciously we find that we desire things, or we desire things we see, in others. I find it interesting that our sense of smell in particular plays such a large part in the equation but it does seem to be the way.

    In my case, as an older man, when someone gives you something you crave, the vitality of youth, it is not easy to resist it. And when someone gives you something that seems to entail special effort, it is also relatively easy to first enjoy it, and then come to expect it. Then again, when someone tells you, you are indeed special, (when all around seem may pretty blase to the fact), your heart will likely sing. At least mine did. And when that someone does all those things, you are, essentially, potentially a lost cause to any form of reasoned rational thought.

    It is so easy to convince yourself that you love them, and that they must feel something special towards you. And then equally, that you can depend on them for so much more. And feel hurt (and more) when that doesn’t manifest itself. In such a situation what is the real truth here and who, when it all goes wrong, really is the wronged party?

    People often weave tangled webs around themselves for a myriad of reasons. Just before halloween, Juan was helping me put up fake spider webs from packets of white webbing and I marvelled at the way he was able to create the most intricate of fake webs around my house. ´People don’t put them up properly´ he explained, as he delighted in creating the most intricate creative patterns, deftly attaching them to walls and furnishings with scotch tape.‘’You’re a master at this’’ I exclaimed and he laughed. But yes, he was a master at creating and carrying out a plan, an idea, developing his own web. He clearly enjoyed doing it, and he wanted people to know it too. My only concern was that perhaps some might get trapped in that web and find it hard to escape.

    On my previous birthday he wrote a letter inside a card, telling me how special I was. ´Your heart is endless and you are a magnificent example of the meaning of friendship. A huge hug for my remarkable, unique, lovely warm hearted friend´. I took it as a ´special letter´at the time, whilst I can see now that he wrote it as a letter for others to consider. I see now that I was already starting to see him as a ´special person´ and he saw me as yes, a ´special person´ but not in that same way. That letter in retrospect might been the catalyst that started the misunderstanding that I then laboured under and unwittingly (or indeed wittingly) nurtured, from that time onwards. There was nothing promised in the letter and yet somehow I saw it as a statement of intent. In retrospect it was not. In fact it was printed out and not even signed by him.

    When we want something badly it is so easy to see things that aren’t there, we convince ourselves they might be and they can become real, in our imagination. Eventually I came to crave them. I wanted that attention, admiration, those kind words. I wanted to be seen, appreciated as someone who mattered, as someone who was not old, feeble, past his best as someone who still ‘had it’ And yes, who still mattered. It is a theme I think that plays out over many lives, in various ways, as we age gracefully or indeed disgracefully. And sometimes it can mean an attachment to a person that is only a half truth. Not exactly a lie but something that owes a deal to a wish fulfilment.

    Before you know it you are consumed by that attention, allowing it to become special, to take over your life, to desire it and feel a- very literal- sense of loss when it´is not there, almost like a bereavement, of sudden emptyness again. Loss of purpose and sense of self. Perhaps I am over exaggerating this desire for effect. When you feel alive again, a valued person, with this other person, anything else can seem decidedly second rate.

    If I could distil all this into its very essence, I suppose it comes down to the feeling of having a genuine human connection with all its associated warmth, of being valued, trusted, (along with senses being stimulated). Being told the truth. 

    Although as I´ve already asked, what exactly is the truth ? Is it ok to tell white lies sometimes, to uphold the sacred notion of the whole truth? Society places a very great emphasis on the whole truth, we swear by it in a witness stand: so help me god. Yet it is very hard to unravel where the whole truth goes sometimes, in our lives, in our relationships, in our friendships, in our workplaces. Of one thing we can be reasonably certain, my truth is different to your truth. And indeed my truth is different to Juan´s truth. We all do things for our own satisfaction and pleasure to some extent, even if they are seemingly, on the surface. about care for others. 

    Re-reading that birthday letter again, the writer does claim things for himself. How he has had fun meeting other people as a result of events I had facilitated, created, how he hopes to benefit from finding others like me, to make his life easier and happier, how he hopes others will think about these things, the meaning of these qualities. It is, in its own way a very honest letter, a very truthful letter. And, to me, at the time, a very beautiful letter that seemingly says a lot about its writer. 

    And so I am not surprised by how ´tangled up´ I became or thought I became, in this persons life, even though in retrospect I realise I know very little about it at all. And why I wanted to see this person achieve a level of happiness and success. I even realise how these feelings became a millstone around both our necks, for they were not really helpful in many ways to me, in that they were not realistic but simply a desire, and not helpful to Juan as they became an additional burden to deal with, in a time of both change and when it was necessary to shed things that kept him tied to his home city. So something relatively simple became complicated and distorted. Fraught with misadventure and open to confusion, disilusion and frustration. 

    Oh, and again I marvel at what complicated patterns and webs we all weave. And surely that must be the final word on this subject?


  • Mixology 4 Other tracks

    Song for the Refugees (epic kids choral mix) Original composition, Dave Wiseman

    Hunting for you (all over) , Original composition Dave Wiseman

    Echoes of Dissent in Wien (anti Austrian Freedom Party song) Original composition, Dave Wiseman

    Riding the sky (fantasy remix) Orig composition Dave Wiseman

    Below

    The Ecstasy of Gold (remix) Orig. Morricone)Remix by Dave Wiseman

    Composition for piano, harp and dove, Original composition Dave Wiseman

    I´m still standing, Orig source lyrics ´I`m still standing´, Elton John, 1983, Arrangement by Dave Wiseman

    Below

    The Crusoe Trilogy, remixed and adapted, parts 1, 2, 3 A homenaje to the Robinson Crusoe Suite, (from ´Robinson Crusoe´ (1964) lyrics and composition by Robert Mellin and Gian Piero Reverberi, 1964) by Dave Wiseman

    Below

    When you go so high (diva old skool remix). Original composition Dave Wiseman

    Below

    Dreaming of Jesus in the Sky with Diamonds, lyrics partially adapted from Lucy in the Sky with Diamonds , The Beatles, 1966. Composition arranged by Dave Wiseman

    Below

    A New Gold Dream remix trilogy, lyrics partially adapted from New Gold Dream (81, 82, 83, 84) Simple Minds, 1982. Composition arranged by Dave Wiseman

    1.Kaos series remix 2. Parisian remix 3.Urgent remix

    Below

    I run away (instrumental)Melody partially sampled from the James Bond Theme, Monty Norman, 1962. Composition arranged by Dave Wiseman

    Gotta Turn that Sucka´round, (6am chill mix), melody adapted from Hold that Sucker Down , Rollo Armstrong, 1994. Adaption remix arranged by Dave Wiseman

    We fade away, a homenaje to Fade to Grey, Visage, 1980, melody and lyrics adapted by Dave Wiseman

    Below

    Love is Stranger, adapted melody and lyrics from Love is a Stranger (Eurythmics, 1982)

    My Milkshake adapted melody and lyrics from Milkshake Man, written and performed Marty Zamotto (Go-Jo), written by Zamotto/Shepherd, Australian 2025 Eurovision Song Entry

    Your Milkshake Man part deux (shake it up mix) Adapted melody and new lyrics Dave Wiseman

    Below

    Tangerine Groves Forever, Homanaje to John Lennon writing Strawberry Fields Forever in Almeria, Andalucia, adapted melody and samples from lyrics from Strawberry Fields Forever (The Beatles, 1966)

    Euphoria Bay (1965) Fantasy LA soap from the sixties. Adapted lyrics from ´New Gold Dream´ , Simple Minds 1983

    Take Me Down Another homenaje to John Lennon writing Strawberry Fields Forever in Almeria 1966, with lyrics and melody partially adapted from Strawberry Fields Forever (The Beatles, 1966)


    Back to Mixology 1

    Mixology 3 Other tracks

    Mixology 4 Other tracks

  • Mixology 3 Other tracks

    To the Alcazabar (ooh la la remix) Original composition Dave Wiseman

    Journey to Reunion (key guide track) Original composition Dave Wiseman

    Journey to Reunion (vocal track) Original composition written and sung by Dave Wiseman

    Below

    Cry Original composition by Benson Boone, 2024 sung by Dave Wiseman

    Those echoes of Vienna (remix) Original composition by Dave Wiseman , inspired by ‘‘Vienna’‘, Ultravox, 1980

    Hear the Silence (Midnight at the Bell remix)Lyrics partially adapted from ”Enjoy the Silence”, Depeche Mode. 1990, Track by Dave Wiseman

    Below

    I´m always coming up with you (lyrics partially abridged from ”Never let me down again”, Depeche Mode, 1987) Dave Wiseman

    Theme for my greatest cities (haunted fantasy mix), (lyrics and melody partially adapted from ´Theme for Great Cities´, Simple Minds 1980. David Wiseman
    Theme for my greatest cities (time for fun mix), (lyrics and melody partially adapted from ´Theme for Great Cities´ Simple Minds 1980. David Wiseman

    Below

    One Day (Echo of that day mix), Original composition Dave Wiseman

    Wild and free (my secret love) Lyrics inspired by ´Secret Love´ Doris Day 1953. Composition arranged by Dave Wiseman

    Hombres Interieures (instrumental), original composition Dave Wiseman

    Below

    I´ll be around for you (key mix for vocal addition) Original song Dave Wiseman

    Go (before those teardrops start) Lyrics inspired by´Go´ Gigiloli Cinquetti 1974, Composition arranged by Dave Wiseman

    My fading star (key mix for vocal addition) Original song Dave Wiseman

    Beautiful Things (instrumental remix) Original composition. Benson Boone 2024

    I lost control Original composition I lose control Teddy Swims 2024, with reworked lyrics. Composition arranged Dave Wiseman

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    Ghost Town (instrumental big remix) Orig lyrics: Ghost Town, Benson Boone 2023. Composition arranged by Dave Wiseman

    Ghost Town (instrumental harmonic remix). Orig Lyrics Ghost Town, Benson Boone 2023, Composition arranged Dave Wiseman

    Winds of Change (doubtful remix) Original composition Dave Wiseman with concept partially inspired by Ray of Light, Madonna, 1998

    Del desierto al mar, un canto para Almeria, original composition Dave Wiseman. A homenaje to Morricone and Almeria´s role in the making of ´spaghetti westerns´


    Mixology 1 Bowie mixology

    Mixology 2 Other tracks

    Mixology 4 Other tracks

  • Mixology 2 Other tracks

    A collection of remixed songs and original material, partly using AI and UDIO

    Love and a Thousand other things (key track for vocal addition), Original composition, Dave Wiser

    Waiting No More , Original composition, Dave Wiser

    The love I lost (extended version), Original composition, Dave Wiseman

    The Almeriense , Original composition, Dave Wiseman

    Tracks below

    Echoes of Love lust (2am mix) Original composition Dave Wiseman

    Together we Navigate ( Nice n Smooth mix) Original composition Dave Wiseman

    Together we Navigate (version 2 male lead) Original composition Dave Wiseman

    Tracks below

    Love and thousand other things (bluegrass mix) Original composition Dave Wiseman

    Gold Memories Original composition, Dave Wiseman (lyrics orig derived from Wordsworth, ´Daffodils´)

    When it all falls away , Original composition Dave Wiseman

    Tracks below

    White Horses (sixties smooth ride mix). Lyrics partially abridged from White Horses, Jackie Lee, 1968 . Composition Dave Wiseman

    All time low (beep beep old skool mix) Original composition Dave Wiseman

    The warm glow of midnight Lyrics partly derived from Felice Picano ´The Gilded Boys are Dancing´1972. Original composition Dave Wiseman

    When it all falls away (Ged out electro funk remix) Original composition Dave Wiseman

    Echoes of Innocence Original composition Dave Wiseman with lyrics from poem´Bluebells´Dave Wiseman 1978

    Tracks below

    Home to Almeriense (mezcla homenaje a Fangoria), Original composition Dave Wiseman

    Dije mi corazon en Genoveses Original composition Dave Wiseman

    Whispers of Deceit Original composition Dave Wiseman

    Tracks below

    I´ll be around for you (lyrics partially derived from ´Disenchanted´ The Communards , 1986), original composition Dave Wiseman

    On White Horses (Rocky Road mix) Original composition with abridged lyrics from White Horse, Jackie Lee, 1968

    Echoes of Innocence (lotta soul mix)Original composition with lyrics from ´Bluebells´, Dave Wiseman 1977

    Tracks below

    Spectacular, sensational (partial lyrics adapted from All the Lovers by Kylie Minogue) Original composition Dave Wiseman

    I´m chasing tomorrow (abridged lyrics from ´Take on Me´, A-ha, 1985)

    Crying to your Soul (partial lyrics adapted from Bronski Beat , Smalltown Boy, 1984) Original composition Dave Wiseman


    Mixology 1 Bowie mixology

    Mixology 3 other tracks

    Mixology 4 Other tracks